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The problem with good stuff
How can you tell if something is good or not? Take for example the no mercy valve pre-amp mentioned above, when first hooked up it was in place of my (shunt volume) 4 input passive pre-amp. My System at that time was a standard Teac VRDS7 with SE active wire interconnect, 2 watt SE class A amplifier, 12 pair speaker cable and tweaked Tandy speakers. I could immediately kind of feel solidity and almost limitless head room, and the complete authority with which the volume control and input selection worked. The "sound quality" seemed to be improved by the addition of that valveness.
The amplifier I have been using for the last few years has a unity gain 1MHz bandwidth class A push pull output stage, driven directly by a 150MHz current feedback op-amp with no overall loop feedback. It was only recently however I tried replacing the op-amp, connecting the no mercy valve pre-amp directly to the experimental output stage. Now using the modified Philips CD player, the same active wire, the same speaker cables, and the same speakers, the sound was absolutely breath taking... so clean, fast, transparent, effortless. Noticeably better than the video op-amp I had been using... The thing is, the valve pre amp has always been that good. Due to limitations else where it was masked when I first evaluated it.

Everything seems to be compromised in some way.

If a small but significant improvement is made some where in a system, how can you tell if the rest of the system is compromised. It is a step by step process, with many twists and turns.

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Last changed: Sun Feb 26 20:09:23 GMT 2006